简爱ppt素材-求简爱Jane在 Moorehouse的ppt或总结

简爱》的问世曾经轰动了十九世纪的文坛,它以一种不可抗拒的美感吸引了成千上万的读者,有一种抑制不住的冲动,驱使人拿起这本书,随之深深感动,心灵也为之震颤。

这是一部带有自转色彩的长篇小说,是英国十九世纪著名三姐妹作家之一的夏洛蒂*勃朗特所著。这是一本用自己的心与强烈的精神追求铸炼成的一本书,含着作者无限的情感和个性魅力,为女性赢得了一片灿烂的天空。

主人公简爱身材瘦小,相貌平凡,无金钱、无地位,却有着不平凡的气质和非常丰富的情感世界。她在生活的磨练中,抛弃了女性天生的懦弱与娇柔逐渐养成了坚强独立的个性。她不会在表兄残暴面前甘心被辱,而是据理力争。即使结果不尽人意,却始终如一没有低头;在魔鬼般冷酷的布洛克尔赫斯先生的折磨下,她不会表现出任何恐惧,而是从容的扛下来,独立坚强的活下来。读《简爱》,我为幼年的她所受到的虐待而悲愤,感同身受般的体会着简爱那幼小敏感的心灵所受的伤害。我也为简爱而倾倒。喜欢她在地位比她高的所谓上流社会人士面前表现出的那种不卑不亢的态度,喜欢她在面对爱时表现出的的那种自尊自强的精神,心中不禁感叹在距离她所处的年代进步了二百年的现代,又有几个女子有勇气为了自己的尊严而对一个心爱又富有的男子说不呢?简爱就可以!在她的身上时刻闪现着一种独立人格的壮美与崇高!

“你以为,就因为我穷,低微,不美,我就没有心,没有灵魂吗?我跟你一样有灵魂,也完全一样有一颗心。要是上帝也赐予我美貌和财富的话,我也会让你难以离开我,就像我现在难以离开你一样!”每次读《简爱》的时候,都会被这段话所震撼。正如爱德华所说的,简“如一只发疯的鸟儿拼命撕掉自己的羽毛。”这是一种强烈的自我释放,一种悲与爱交织起来的“支配一切、战胜一切、压倒一切”的力量。她在用自己的语言和行动表明:自己有权平等地追求一份属于自己的爱情。她不美、卑微,却以自己的独特气质吸引着所有的人。两性之间是平等的,女子必须有独立的人格,自尊自爱,不依附于其他人才可以赢得别人的尊重和热爱,才会有真正的幸福。爱情须以平等和互相独立作为基础,不是一味地接受对方的给予。假若简爱选择留下,甘心当个无名无分、近乎情妇的妻子,罗切斯特会像当初那样痴爱着她吗?他爱的是不卑不亢、自尊自重的简爱,不是一个躲在他怀中只懂得接受疼爱的女子!简爱是一代又一代的女性心中最平易近人的偶像,她不会难以靠近,她的影子飘散在我们的周围,以她为准则,大家都可以生活的自信坦荡,都可以沿着命运给予的线索找到自己真正的幸福所在。

而在当今的现实世界里,人们都疯狂的似乎为了金钱和地位而淹没爱情。在穷与富之间选择富,在爱与不爱之间选择不爱。很少有人会像简这样为爱情为个体的人格尊严抛弃所有,而且义无反顾。也许当人们穷得只剩下钱时,他们会去追求“真爱“。可被铜臭熏过的精神还配拥有真爱吗?也许到了化繁为简返朴归真的时候了。在追求物质生活的时候,应该在生活中灌注一些真情和温情,追求一份本真的温馨、和谐和宽容。让我们也追求全心付出的感觉,不计得失的简化的感情。纯净的像一杯水,缓缓地洒落人间。

从世俗的喧嚣浮华中脱离出来,静下心来细细地品读《简爱》吧,去和简爱的灵魂对话。简爱就是一个童话,她让我们相信,拥有了独立人格并可以自尊、自爱、自立、自信的女子,即使是一株野百合,也会有自己的骄傲,也会找到属于自己的永远的春天。

希望对楼主有帮助。

Jane Eyre

The orphaned protagonist of the story. When the novel begins, she is an isolated, powerless ten-year-old living with an aunt and cousins who dislike her. As the novel progresses, she grows in strength. She distinguishes herself at Lowood School because of her hard work and strong intellectual abilities. As a governess at Thornfield, she learns of the pleasures and pains of love through her relationship with Edward Rochester. After being deceived by him, she goes to Marsh End, where she regains her spiritual focus and discovers her own strength when she rejects St. John River’s marriage proposal. By novel’s end she has become a powerful, independent woman, blissfully married to the man she loves, Rochester.

Edward Fairfax Rochester

Jane’s lover; a dark, passionate, brooding man. A traditional romantic hero, Rochester has lived a troubled wife. Married to an insane Creole woman, Bertha Mason, Rochester sought solace for several years in the arms of mistresses. Finally, he seeks to purify his life and wants Jane Eyre, the innocent governess he has hired to teach his foster daughter, Adèle Varens, to become his wife. The wedding falls through when she learns of the existence of his wife. As penance for his transgressions, he is punished by the loss of an eye and a hand when Bertha sets fire to Thornfield. He finally gains happiness at the novel’s end when he is reunited with Jane.

Sarah Reed

Jane’s unpleasant aunt, who raises her until she is ten years old. Despite Jane’s attempts at reconciliation before her aunt’s death, her aunt refuses to relent. She dies unloved by her children and unrepentant of her mistreatment of Jane.

John Reed

Jane’s nasty and spoiled cousin, responsible for Jane’s banishment to the red-room. Addicted to drinking and gambling, John supposedly commits suicide at the age of twenty-three when his mother is no longer willing or able to pay his debts.

Eliza Reed

Another one of Jane’s spoiled cousins, Eliza is insanely jealous of the beauty of her sister, Georgiana. She nastily breaks up Georgiana’s elopement with Lord Edwin Vere, and then becomes a devout Christian. But her brand of Christianity is devoid of all compassion or humanity; she shows no sympathy for her dying mother and vows to break off all contact with Georgiana after their mother’s death. Usefulness is her mantra. She enters a convent in Lisle, France, eventually becoming the Mother Superior and leaving her money to the church.

Georgiana Reed

Eliza’s and John’s sister, Georgiana is the beauty of the family. She’s also shallow and self-centered, interested primarily in her own pleasure. She accuses her sister, Eliza, of sabotaging her plans to marry Lord Edwin Vere. Like Eliza, she shows no emotion following their mother’s death. Eventually, Georgiana marries a wealthy, but worn-out society man.

Bessie Lee

The maid at Gateshead who sometimes consoles Jane by telling her entertaining stories and singing her songs. Bessie visits Jane at Lowood, impressed by Jane’s intellectual attainments and ladylike behavior. Bessie marries the coachman, Robert Leaven, and has three children.

Mr. Lloyd

The kind apothecary who suggests that Jane be sent to school following her horrifying experience in the red-room. His letter to Miss Temple clears Jane of the accusations Mrs. Reed has made against her.

Mr. Brocklehurst

The stingy, mean-hearted manager of Lowood. He hypocritically feeds the girls at the school starvation-level rations, while his wife and daughters live luxuriously. The minister of Brocklebridge Church, he represents a negative brand of Christianity, one that lacks all compassion or kindness.

Helen Burns

Jane’s spiritual and intellectual friend at Lowood. Although she is unfairly punished by Miss Scatcherd at Lowood, Helen maintains her poise, partially through her loving friendship with Miss Temple. From Helen, Jane learns tolerance and peace, but Jane can’t accept Helen’s rejection of the material world. Helen’s impressive intellectual attainments inspire Jane to work hard at school. Dying in Jane’s arms, Helen looks forward to peace in heaven and eventual reunion with Jane.

Maria Temple

The warm-hearted superintendent at Lowood who generously offers the girls bread and cheese when their breakfasts are inedible. An impressive scholar, a model of ladylike behavior and a compassionate person, Miss Temple is a positive role model for Jane. She cares for Jane and Helen, offering them seedcake in her room and providing Helen with a warm, private bed when she is dying.

Miss Miller

Teacher for the youngest students at Lowood who greets Jane on her first night at the school

简爱——罗切斯特(恋人/夫妻)——疯女(夫妻)

海伦--简爱(孤儿院好友)

布洛克尔赫斯特——坏人,孤儿院主持

圣约翰——简爱(表兄妹,简爱的追求者之一)

戴安娜和玛丽--简爱的表姐,圣约翰的胞妹

爱丽思·费尔菲克斯--罗切斯特的女管家,简爱的朋友

阿黛勒--罗切斯特的朋友的女儿,罗切斯特是她的监护人,简爱的学生

英格拉姆小姐--罗切斯特的追求者

我能一个人生活下去,

要是自尊和环境需要我这样做的话。

我无需出卖灵魂以换取幸福。

我生来就有一种内在的宝藏,

哪怕一切外在的欢乐我都得不到,

或者只能用我出不起的代价才能得到。

随手翻开《简61爱》看到这样一段充满坚毅和刚强的文字,萌发我无限的好奇:简61爱,到底是怎么样的女子呢?

“我在盖茨黑德府上格格不入。在那里我跟谁都不像。同里德太太、她的孩子、她看中的家仆,都不融洽。他们不爱我,说实在我也一样不爱他们。他们没有必要热情对待一个与自已合不来的家伙,一个无论是个性、地位,还是嗜好都同他们泾渭分明的异己;一个既不能为他们效劳,也不能给他们增添欢乐的废物;一个对自己的境界心存不满而又蔑视他们想法的讨厌家伙。我明白,如果我是一个聪明开朗、漂亮顽皮、不好侍候的孩子,即使同样是寄人篱下,同样是无亲无故,里德太太也会对我的处境更加宽容忍让;她的孩子们也会对我亲切热情些;佣人们也不会一再把我当作保育室的替罪羊了。”简61爱生存在一个父母双亡,寄人篱下的环境中,身材矮小,容貌不美,但也许就是这样一种灵魂深处的很深的自卑,反映在她的性格上就是一种非常敏感的自尊,以自尊作为她内心深处的自卑的补偿。简61爱,从小就承受着与同龄人不一样的待遇:姨妈的嫌弃,表姐的蔑视,表哥的侮辱和毒打。。。。然而,却没有绝望,没有自我摧毁,没有在侮辱中沉沦。相反,换回的却是简61爱的无限信心,却是简61爱的坚强不屈的精神,一种可战胜的内在人格力量。她知道,要活下去就必须靠自己。

终于被带离了盖茨黑德,简61爱来到了罗沃德学校,没有了亲人的侮辱,却受尽了布罗克赫斯特先生的屈辱:“我是从她的恩人,一位廉诚慈善的太太那儿知道的。她成了孤儿的时候,是这位太太收养了她,把她作为亲生女儿来养育。这位不幸的姑娘竟以忘恩负义来报答她的善良和慷慨。这种行为那么恶劣,那么可怕,那位出色的恩主终于不得不把她同自己幼小的孩子们分开,生怕她的坏样子会沾污他们的纯洁。她被送到这里来治疗,就像古时的犹太人把病人送往毕士大搅动着的池水中一样。教师们,校长们,我请求你们不要让她周围成为一潭死水。”就这样,简61爱被置于台上示众。此时,一位姑娘走上前来,从我她身边经过。那个人就是海伦61彭斯,她在走过简61爱的身边时抬起了眼睛。那双眼睛闪着奇怪的光芒!仿佛一位殉道者、一个英雄走过一个奴隶或者是牺牲者的身边,刹那之间把力量传给了简61爱,让她突然控制住了正待发作的歇斯底里,抬起头来,坚定地站在凳子上。当海伦回到自己的位置上时,对简微微一笑。这充满睿智和真正的勇气的微笑,它像天使脸上的反光一样,照亮了简的心灵,带给了简力量,使她重新振奋起来,在学习上奋发努力,成绩突飞猛进,在班里名列前茅。再次受到了大家的尊敬和理解。瘟疫过后,海伦离开了我,学校也得到了新生,简在它的围墙之内生活了八年,当了六年的学生,二年的教师,在双重身份上成了它价值和重要性的见证人。可是,随着坦普尔小姐的离开,她开始明白几年来,她的世界就在罗沃德,她的经历就是学校的规章制度,而真正的世界无限广阔,一个变满着希望与忧烦,刺激与兴奋的天地等待着那些有胆识的人,去冒各种风险,追求人生的真谛。所以她毅然决然地在报纸上刊登求职广告,获得了去桑菲尔德做家庭教师的机会。

在桑菲尔德,简61爱经历了与罗切斯特之间一波三折的爱情,受尽贵妇绅士的嘲笑鄙视;发现罗切斯特已有了妻子后,简告诉自己“我要遵从上帝颁发世人认可的法律,我要坚守住我在清醒时而不是像现在这样疯狂时所接受的原则,我要牢牢守住这个立场”,所以毫不犹豫地离开了他;再三拒绝圣。约翰的求婚,最后,当她得知,罗切斯特为了拯救在活中的妻子不幸双目失明。躯体严重残疾,完全丧失了生活能力,而同时又妻亡财毁。简。爱再次回到他身边,告诉他,马德拉的叔叔去世了,留给了她五千英镑,现在自己是完全独立的人了,并决定嫁给他,伴他一生……可是罗切斯特却迟疑了,认为简这样的行为为自己牺牲太多。“牺牲!我牺牲了什么啦?牺牲饥饿而得到食品,牺牲期待而得到满足。享受特权搂抱我珍重的人——亲吻我热爱的人——寄希望于我信赖的人。那能叫牺牲吗?如果说这是牺牲,那当然乐于作出牺牲了。”我想正因为简的正直,高尚,纯洁,心灵没有受到世俗社会的污染,对爱情的专一,使得罗切斯特对她肃然起敬,深深地爱着她。

简61爱,身材瘦小,相貌平常,无金钱,无地位,但却有不平凡的气质和丰富的感情世界。她始终在追求道德上的完善,坚持着个人的独立性,纵使在爱情与此发生冲突的时候也是如此。她强烈的独立意识使她坚定一个信念:要追求平等基础上的爱情和婚姻。这样的自尊和爱就是人的价值所在。然而,在当今社会,要将人的价值=尊严+爱这道公式付之实现常常离不开金钱的帮助。当人们都疯狂地似乎为了金钱和地位而淹没爱情,在穷与富之间选择富,在爱与不爱之间选择不爱时,很少有人会像简这样为爱情为人格抛弃所有,而且义无反顾。简爱,并非简单的爱情,而是一种化繁为简,一种返朴归真,一种追求全心付出的感觉,是一种不计得失的简化的感情。